Recently, Canadians turned their attention to the throne speech presented by King Charles III, an event rich in tradition and national pride. What may not be widely known is the newly renovated Senate Chambers, the venue for this significant address, includes a remarkable contribution from a local artisan.

Dan Gallagher’s craftsmanship recently gained national attention with the unveiling of the newly renovated Senate Chambers in Ottawa. Although the focus of the throne speech presented by King Charles III remained on its symbolism, few people know about the local connection behind one of the chamber's most striking elements—the official Speaker’s Chair. This remarkable piece was built by Dan, a talented woodcarver from Scugog Township, whose expertise brought an ambitious vision to life.

Back in 2018, I had the opportunity to visit Dan and witness the chair before it took its place in Canada’s Senate. It was a master class in woodworking and ingenuity. Dan, ever modest, credited a team of skilled collaborators who helped bring the project to fruition. He explained that the design itself was provided by the Senate staff, but translating it into a functional and visually stunning piece, required creative problem-solving.

“The chair needed to raise and lower several inches while supporting up to 300 pounds,” Dan told me. “It also had to incorporate hidden wheels for easy movement and match the existing Throne chairs in design.” He started with a prototype in pine, which allowed him to troubleshoot the challenges of the project. Once the prototype was complete, Dan sought assistance from local experts.

The lift mechanism was designed and then built, with the expertise of Charlie Sleep from Blackstock Machine Shop. Upholstery posed another challenge, especially with the use of fine gold-thread piping imported from France. For this, Dan worked with Bernie Doleweerd of Custom Tailored Upholstery. Intricate embroidery on the upholstery fabric, including the Senate logo, was handled by Cheryl Whitnell of Prism Embroidery in Lindsay. The result was a harmonious collaboration, blending craftsmanship with precision.

“The wood used is Canadian black walnut,” Dan explained, as he showed me a piece of the material. “Its grain needed to be flawless to ensure a uniform colour, as variations would not be acceptable.” Every detail of the chair carried significance. Maple leaf carvings served as a tribute to Canadiana, and highlighted his unmatched skill. Despite the intricate details, the project was completed in just four months, to meet the deadline for the Senate’s grand opening.

Dan’s journey to becoming one of Canada’s most skilled woodcarvers, is as inspiring as his creations. Born and raised in Baltimore, Ontario, Dan attended high school in Cobourg before pursuing Environmental Science and Biology at Brock University. Early in his career, he worked with the Ministry of Natural Resources and Conservation Authorities, focusing on environmental projects. However, during a recession in the 1990s, environmental contracts dried up, leaving him with time to revisit a childhood passion: woodworking.

“I began with pine furniture and cabinets,” Dan recalled. “I toured artisan fairs, but soon realized they were not the best platform for showcasing quality work. Custom orders became my focus.”

In 1994, Dan married June, who was then the clerk of Lindsay, and they eventually settled in Scugog Township in 2001. While establishing himself as a custom furniture maker, Dan stumbled upon a set of carving tools at a lumber yard in Peterborough. That chance encounter changed everything.

“I found I had a knack for carving,” he said. “Initially, I included carvings free of charge on custom furniture. Over time, carving became central to my business.” Today, his carvings stand out for their meticulous detail, and his reputation continues to grow.

Dan’s connection to the Senate project was another twist of fate. In 2014, he noticed someone had viewed his LinkedIn profile; Phil White, the Dominion Sculptor. After reaching out to Phil, they met and exchanged information. Years later, Dan received a call from the procurement office in Ottawa, which had been referred to him by none other than Phil White.

When I asked Dan if there were limits to what he could create, he chuckled. “Anything in wood,” he replied confidently before adding with a grin, “except ducks and decks.”

Dan continues to work from his studio on Shirley Road, where each piece he creates, carries his signature touch of excellence. Whether it is intricate carvings for national treasures, or custom furniture for local clients, his work speaks of dedication and passion.

Visiting Dan Gallagher’s studio gave me a renewed appreciation for artistry and craftsmanship. His ability to bring history and function together in the Speaker’s Chair, is a testament to what local talent can achieve. Those wishing to learn more about Dan’s work, or commission a special piece of their own, can visit his website at www.carving.ca or find him on Facebook. As for me, the visit remains a cherished memory, reminding me of the extraordinary skills that thrive in our community.